Monthly Archives: June 2012

Oh, It’s Saturday.

When you have nothing to do, bar waste away in front of a computer screen at violent images and funny cats, the days blend together. No markers to seperate days, except sleep, but that’s nothing. I don’t dream. Or maybe I don’t remember the dreams. It’s hard to keep a schedule, I’m only updating today because I accidentally clicked my WordPress bookmark.

Here’s the thing, I’m not depressed. I’m happy, but bored. I lead a boring life, it’s why I don’t blog often. I have nothing to write about.

This is just a quick five minute update. Just so you know how I’m doing.

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On Before Watchmen…

No, I’m not going to read it or review it. It’s a cynical cash grab that I will not fund. However, I would like to comment on Silk Spectre’s new costume.

What the fuck, DC!

The costumes in the original graphic novel were intentionally designed to be a bit on the silly side, and Silk Spectre comments on this and how she hated her costume. So what do you do for the prequels? Sex it up!

I don’t know how, but this new costume shows even more flesh than the old one. Really, this is out of character and confirms that this is a shallow exploitation of a masterpiece. Even Power Girl’s costume covers flesh these days. It’s really disgusting, especially since it goes against character (her hatred of revealing costumes) and continuity (she had the same costume since she was sixteen).

Because I hate you.

If I have to suffer, so does everyone else.

Batwoman #9

You may recall that I said that the current arc (To Drown The World) in Batwoman marks a decline from the first arc (Hydrology). I criticised the artwork from Reeder for being too cartoony and exaggerated for the story, and I criticised Williams for writing for the trade. However, issue 9 fixes my concerns.

DC have replaced Reeder with the more talented McCarthy until the end of To Drown The World. McCarthy has a great eye for detail, adding small things that enhance the world-building. For example, each member of Maro’s team has two black tattoos under their eyes. It’s a small addition that shows their devotion to, and pride to be part of, his cause. McCarthy echoes Williams’ more experimental panel structure in the fight sequences, and although he is not as good as Williams, his art fits the sombre tone of the series far better than Reeder’s.

Williams seems to be addressing the concerns about him writing for the trade. This issue, while part of a larger arc, has a clear beginning and end. It’s not a good place for new readers to start, but it at least offers enough plot and characterisation to be worth the price. The issue benefits by allowing Sune to have a character at last, and Maggie and Kate’s small scene shows that their relationship is clearly growing stronger. The non-chronological, episodic structure isn’t too much of a distraction this issue, and it is clearer what is going on. While this structure damaged previous issues, it is intriguing in this. It’s finally doing its job.

8/10.

Schedule filler

I forgot what day it was. I have nothing prepared and nothing to improvise. So this is just filler until I have something to write about.